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Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

"Finding the I" is a compelling mixed-media painting incorporating traces of SADU, symbolizing the meditative...

The composition centers on the knot that binds the two shirts, creating an enforced connection...

The cloth forms a quiet connection between the two shirts. The link at the center...

“3 Chrome" (3 丁目) 是对日本地理寻址系统的怀旧参考。西山最初通过诗歌出现，捕捉了日本结构化社会中物质和精神上的严格划分。这件艺术品探索了精神治理、身份、家庭和成长。

注：该作品由2件组成，每件尺寸为150厘米 x 120厘米。

作者用抽象的手法色彩穿插叠加表现画面的层次，表达了丰收季节金黄色的水稻、小麦、玉米成熟时的画面感，感受着大丰收的喜悦之情。---（高志定）

深入研究马歇尔的“蒙眼系列”，我们会发现这是对人类运动和感官知觉的一次有趣探索。印刷版的炭笔画是进入这一系列作品的引人入胜的切入点。就像用碳捕捉到的舞蹈定格画面一样，这些初步研究展示了人物在失去视力的情况下在空间中航行，他们的动作既犹豫又坚定。 该系列从这些原始的木炭表达演变成我们在这里看到的更复杂的铜和铜绿作品，其中马歇尔将同样的内在能量转化为蚀刻的金属表面。从木炭到金属的演变保持了作品对蒙眼运动的基本探索，同时通过氧化和金属表面的精确穿孔增加了材料复杂性的层次。 版本 ⅓ + 2 艺术家样稿