all

Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

Ginzilla’s Story Our depicted heroine, Ginzilla, was born into a traditional Japanese family of uncompromisingly...

A deep blue surface holds the quiet of what was lost, a name, a language...

Effective communication is an essential aspect of personal growth and self-discovery. It is imperative to...

"Barrel Road" depicts a coastal scene rendered in a distinctive combination of delicate watercolor washes...

"Wayfinding 2" presents an industrial landscape bathed in a soft, rosy atmosphere. The composition features...

"Wayfinding 1" presents a striking industrial landscape rendered in predominantly muted grays and blacks, with...

西藏旅游的路上往往都会碰到一些边走边磕拜的藏族人们，这种现象被称为“朝圣”。为何他们这样一路不停的磕拜着走呢？这是藏家人们的信仰行为，由于他们足够虔诚，所以不管从家到拉萨布达拉宫有多远，他们都是从家出发开始一路三步一磕拜的直到到达拉萨布达拉宫见到他们神圣的佛主，为了身心能得到洗礼和福报，一路上风雨无阻、严寒烈日不惧。每一趟朝圣几乎就等于举家搬迁，他们会带足生活中的所必须的食物、锅碗瓢盆 、床铺、凳子、帐篷等等，一路上按时就地用餐，到哪儿天黑就在哪儿搭帐篷，天一亮继续赶路。推车的壮年男子们不会一直推着车，每走几公里他们会停下走回去把推车的每段路给补磕拜回来。一趟朝圣旅程下来少则十天半个月，多则一两年，一趟下来他们额头上膝盖上都形成了厚厚的茧。这是藏族人们为了他们信仰的而发生的一次虔诚之旅。(On the way to Tibet, you often encounter Tibetan people who are walking and...

Set of three 家:疏而不離,孤而不單?Under the same light, apart not afar.------疫情期間我們被迫呆在家中,家庭成員之間的關係尤其可見。儘管生活在同一個屋簷下,我們卻在各自的角落,打各自的仗。每張方形畫布都是一個房間;在各房間裏有一把代表一個家庭成員的椅子,被一堆盒子覆蓋。 在這些盒子裡,重擔、問題和追求佔據並撞擊著心靈,將我們彼此隔開,但偶爾有一絲光從縫隙中透出。沒完沒了的問題會蒙蔽我們的視線,讓我們感到孤獨和沮喪——但當我們抬頭看,家中總有光芒照耀! The interaction between family...